Interview with Author Rie Sheridan Rose

Bio:

When I was a little girl, I wanted to be a writer when I grew up. Things happened along the way, like school and I gave up the dream for awhile. But when I was laid off a couple of weeks before my wedding in 2003, my fiance said I could stay at home and write. So, I have. I actually had my first published story in 1998, but it was still juggling to get writing in around work and stuff. I consider 2003 my real birth as a writer even though I had two novels published by then.

What is your greatest accomplishment as a writer so far?

I think my story in Startling Stories feels like the biggest accomplishment, though having a five book series is a close second. Since that is self-published, it doesn’t have the same feeling of “Wow” that Startling Stories gives me.

Why do you write?

I write because the words in my head want to come out and play. 🙂 Because I have these cool stories that other people might enjoy as well, and I am happy to share them.

What is your writing process? (Any favorite places to write? Any interesting quirks, traditions, or rituals you may have? How many times might you revise something before being satisfied with it? Besides you, does anyone else edit your work? Etc.)

I am very definitely a “pantser.” I never outline. Most of the time I sit down and start typing and see where the story goes. Revisions are very subjective. I used to never revise because I hated the editing stage–and then one day I realized that the first draft is just the bones of a story, and the revisions are where you get to add the muscles and flesh. Now, it can be one of my favorite parts. And, this year, I’ve noticed that most of the stories I’ve placed are ones that I looked at again and tweaked a bit. Including “Cheap Sunglasses.”

Do you have anyone (friends, relatives, etc.) review your works before you publish them?

I have a group of beta readers that I use most of the time. They are a mix of friends, family, and writing professionals, because you want different types of feedback from different people.

Could you give us an idea of your upcoming works without spoiling anything?

Well, several of my novels were left homeless when a publisher closed their novel line, so most of those are re-releasing sometime this year. I have a fairy tale romance with a beta reader (who is also a publisher, cross fingers), and I am working on a spin-off novel for my series that may need to be completely rewritten. I also have a poetry book I’m about to start and a couple of WIPs that may or may not go anywhere. Plus I have a goal of submitting at least one piece of work everyday this year to make up for my dismal laziness last year. I am up to 177 so far.

Do you have any writing events coming up? For example: something being published/released? A reading of one of your works? Interviews? Any speeches or talks?

Everything is still pretty much shut down, though I hope maybe to be back at conventions by the fall. I have a story in Good Southern Witches that debuts in April.

What do you hope to achieve as a writer?

I would like to be known. Not necessarily recognized, but if people hear my name they might say, “Yeah, I read something by her somewhere…”

What do you think of bad reviews? Are they helpful or harmful to you?

It depends on the review. I got a review once on Amazon that purported to be from a specific user. I knew it wasn’t from that specific user, because it was my husband’s user name, and he hadn’t written it. We tried to get them to take it down, but I don’t think we ever succeeded. Mostly, I look at reviews as opinions, and if they seem to have a valid objection to something, I consider it going forward.

What advice do you have for novice writers?

Keep writing. Don’t let a few rejections get you down. I did that when I was in college, and didn’t write for years. What a lot of time wasted! My husband made me a challenge one year to get 300 rejections. It was a kind of aversion therapy. By the end of that year, they didn’t bother me as much. Sure, every now and then, a rejection still really hurts, but I’ve got 80 so far this year… The other piece of advice is keep good records. Make a spreadsheet so you know where things have gone and whether or not they were accepted so you don’t accidentally send something out twice and have the awkward duty of pulling one. And carry some form of notetaking device–notebook, app on your phone, file cards…–wherever you go.

What do you feel are the most important resources a writer can use?

I think the free version of Grammarly is useful. Autocrit is nice, but costs. The Merriam Webster online dictionary. https://www.rhymezone.com/ for poetry. And for submissions, https://www.ralan.com/ and https://trishhopkinson.com/category/call-for-submissions/ are two of my go-tos, as well as the Open Call groups on Facebook. There are several of those.

Where can people find out more about you and your writing? (websites, social media, etc.)

My main social media links are: Twitter: https://twitter.com/RieSheridanRose; Facebook: https://www.facebook.com/pages/Rie-Sheridan-Rose/38814481714; and my main website: https://riewriter.com/. I am also on Patreon as Rie Sheridan Rose and on Pixabay as RieFlections.

Is there anything else that you would like our readers to know?

Always follow your dreams. Write what you want to read. And remember, write what you know doesn’t mean you can’t learn something new and write about it.


Interview with Author Niles Reddick

Niles Reddick
Niles Reddick at Parnassus

Biography

I was born in Southern Georgia to a working-class poor family. I started working when I was 12, mowing grass. I was a custodian and then worked in hotels through high school and college. I worked for the Air Force as a civilian, worked as a counselor, and landed in higher education where I taught and then became an administrator. While I wrote in high school and college, it wasn’t until I was teaching that I had my first publication. Married with two teens, we live in Western Tennessee.

What is your greatest accomplishment as a writer so far?

I would say that my greatest accomplishment was having a story published in The Saturday Evening Post, and then being named among the best new fiction by The Saturday Evening Post in 2019. However, the accolades from some of my published books have also been very nice.

Why do you write?

I think writing evolves as does the reason one writes. When I began, I wrote about feelings, frustrations, etc. It was a limited and maybe egocentric form of writing, but eventually, I wrote about things that happened in life, injustices, humorous stories, and much more. I think one can’t stifle creativity. It’s a very natural way of being in the world.

What is your writing process? (Any favorite places to write? Any interesting quirks, traditions, or rituals you may have? How many times might you revise something before being satisfied with it? Besides you, does anyone else edit your work? Etc.)

I think I have a very “normal” process. I typically compose on my computer and I write early in the morning (I get up at 4am without a clock and always have). I typically go back two or three times to edit, but I usually read most things out loud to my wife. Generally, I catch more errors that way. She also likes to offer her comments. By the way, she doesn’t always like my stories and I’m okay with that.  I then rewrite a couple of other times before I send pieces off for consideration. Sometimes, I have had acceptances the same day, but while those are truly rewarding moments, they have been few and far between. I have had thousands of rejections, but I have also had stories published that were often rejected. I’ve come to know that “fit” is an important part of the writing process that most of us don’t understand even if we know the editor, the magazine, and the requirements. I can even read published pieces in a magazine and still not know “fit” and I’ve read pieces in magazines and couldn’t believe the editor selected or published it. There’s something about the process that is ambiguous and maybe always will be.

Do you have anyone (friends, relatives, etc.) review your works before you publish them?

No, early in my career when I was really trying to get published, I had friends who were faculty members review and offer feedback, and I have had other published writers read drafts and offer feedback (such as Lee Smith, Janice Daugharty, Inman Majors, and others), but other than my reading stories out loud to my wife (to mostly catch errors and get any opinion she might have), I don’t ask anyone and I find it a bit awkward when someone asks me to offer a blurb or review or even feedback on a draft. I’m becoming even more shy about that.

Could you give us an idea of your upcoming works without spoiling anything?

Well, I have a flash fiction collection titled For the Cheesecake (title is from one of the stories published in Forth Magazine in L.A.), a novella-in-flash titled A Blessing and a Curse, and about thirty unpublished stories I’m constantly submitting for consideration. While I certainly don’t have expectations of anything happening, I do have an agent in CA who is pitching two films and a series for me.

Do you have any writing events coming up? For example: something being published/released? A reading of one of your works? Interviews? Any speeches or talks?

I am teaching a flash fiction workshop through the Pat Conroy Literary Center in South Carolina and am excited about that, and I’m judging a flash fiction prompt for Vancouver Flash Fiction in British Columbia this month. The above submitted works will hopefully get picked up this year. I have several stories forthcoming in multiple journals and magazines like The Hong Kong Review.

What do you hope to achieve as a writer?

Some of my work has been meaningful with nominations and I think they speak to quality, but I don’t know if they will survive the test of time like other writers may have historically. Plus, I think what survives is changing rapidly. There are lots of writers out there, many publishers, and a lot of magazines that come and go. This has never been about money for me. I have a career. I often joke that I couldn’t pay one month’s house payment with what I have earned in royalties through the years, but to be recognized by peers has been meaningful to me. This year, The Citron Review took a story titled “Keeping Time” and then nominated it for a Best Microfiction award, The Boston Literary Magazine took a piece titled “Mean Boys” and nominated it for a Best Microfiction award, and other magazine in New York, Big City Lit nominated my story “Rotarian on Vacation” for a Pushcart Prize, my third Pushcart nomination. Ultimately, I should be satisfied with what I have done—a novel, two collections, and a novella (plus the ones coming)—and the recognition. I never expected any of it and if I dropped dead tomorrow, I would leave this world very appreciative.

What do you think of bad reviews? Are they helpful or harmful to you?

Most of them that are bad typically say something good, so I’m not sure they are actually bad. I think they bring attention, and like the news on a nightly basis, I’m not sure it’s the good or bad that matters. It’s the attention, and actually, I’m not sure I think that’s how it should be, but it’s reality, and what’s even sadder to me is that I don’t think anyone really reads them and I don’t even think a lot of people read in general.

What advice do you have for novice writers?

Don’t give up. Keep it up, keep going, trying. It’ll happen eventually, but you might want to ask yourself starting out, what do you want out of this? If it’s money, you might want to stick with your day job and do this as a hobby. I don’t mean that to be discouraging. On the contrary, I mean for it to be a wake-up call and to be realistic.

What do you feel are the most important resources a writer can use?

I think social networking and social media are GREAT and have been important to me in my writing/publishing. I actually went to New York City to read with a group of writers I’d met via social media. I really didn’t know any of them and interestingly, some of them thought I was British because of my name—Niles Reddick. When I got on stage to read and this deep Southern accent came out, they were stunned. I thought it was hilarious.

Where can people find out more about you and your writing? (websites, social media, etc.)

Website: http://nilesreddick.com/

Twitter: @niles_reddick

Facebook: https://www.facebook.com/niles.reddick.9

Instagram: nilesreddick@memphisedu

Linkedin: https://www.linkedin.com/in/niles-reddick-0759b09b/